Writers » AUGUST WILSON
|Full name||: August Wilson|
|Alias||: August Wilson|
|Address||: Pittsburgh, Pennsylvania, USA|
|Animals||: The Rooster|
|Father||: Frederick August Kittel, Sr.|
|Mother||: Daisy Wilson|
|Siblings||: Freda Ellis, Linda Jean Kittel, Donna Conley, Barbara Jean Wilson, Edwin Kittel, Richard Kittel|
|Wife||: Constanza Romero (m.1994-2005), Judy Oliver (m.1981-1990), Brenda Burton (m.1969-1972)|
|Children||: Sakina Ansari, Azula Carmen Wilson|
|Education||: Central Catholic High School Connelley Vocational High School Gladstone High School|
Two-time Pulitzer Prize winning, critically acclaimed African-American playwright, August Wilson was one of the leading writers of the twentieth century, who highlighted the struggles of African-American community. A victim of racial discrimination himself, Wilson was terrified in his childhood as he experienced traumatic episodes of racism in school. Not only was he expelled from school for being the only African-American, he was threatened and abused to the point of being physically attacked as well. It were these experiences that left a deep impact on young Wilson, so much so that he started expressing his feelings through his writings. One of the first African-American men to enjoy success on Broadway, Wilson has played a crucial role in shaping the African-American movement and highlighting their sorrowful plight to people across the world. Some of his well-known plays include, ‘Jitney’, ‘Ma Rainey's Black Bottom’, ‘The Piano Lesson’, ‘Fences’, all of which are part of his acclaimed ten-play collection titled, ‘The Pittsburgh Cycle’. With such an extravagant history of writing, it is easy to conclude that August Wilson was undoubtedly one of the most influential writers of theatre in America.
In 1971, one of his first pieces of writing titled, ‘Bessie’, which was a poem that was published in the summer of that year in the ‘Black Lines’, an African American publication.
In 1973, he staged one of his first plays, titled, ‘Recycling’, which he wrote after he learnt the art of writing for stage from a library book. He made his debut in the field of playwriting with this one-act play.
In the year 1980, he finished writing the play, ‘Fullerton Street’, which was based on the fight between boxers, Joe Louis and Billy Conn. The play, however, remained unproduced and unpublished.
In 1982, Wilson came out with the two-act play titled, ‘Jitney’, which premiered at the Allegheny Repertory Theatre in Pittsburgh, Pennsylvania. The play later also went on off-Broadway in New York.
In 1982, he came out with the play titled, ‘Ma Rainey's Black Bottom’, which was part of the Pulitzer Prize winning ten play series, ‘Pittsburgh Cycle’. The play premiered at the Eugene O'Neill Theater Center at Waterford, Connecticut.
In 1983, he came out with his play, Fenses’, which was the sixth part of his ‘Pittsburgh Cycle’ collection. The plot of the play revolved around African-American experiences and race relations.
In 1984, his play, ‘Joe Turner's Come and Gone’ premiered at the Eugene O'Neill Theater Center in Waterford, Connecticut. The play also opened on Broadway on March 27th that year.
‘The Piano Lesson’ premiered at the Yale Repertory Theatre in New Haven, Connecticut on November 26, 1987. This play was set in Pittsburgh during the time of the Great Depression.
In 1990, his wrote the drama titled, ‘Two Trains Running’, which was set in an African-American neighbourhood in Pittsburgh, Pennsylvania. The play also premiered on Broadway.
In 1996, his play, ‘Seven Guitars’ premiered at the Yale Repertory Theatre in New Haven, Connecticut. A tragic comedy, it highlighted the life of seven African-American characters.
On December 11, 1999 his play titled, ‘King Hedley II’ premiered at the Pittsburgh Public Theater in Pittsburgh, Pennsylvania. The play ran on Broadway and off-Broadway.
In 2003, his play drama titled, ‘Gem of the Ocean’ was screened at the Goodman Theatre in Chicago, IL. The play revolved around the experiences of African-American in the twentieth century.
In 2005, his play, ‘Radio Golf’ premiered at the Yale Repertory Theatre in New Haven, Connecticut. Two years later, the play also premiered on Broadway.
His play ‘Jitney’ was the recipient of the Outer Critics Circle Award in the year 2001 in the category of ‘Outstanding Off-Broadway Play’. The play also received the Laurence Olivier Award for the category of ‘Best New Play’.
He is the author of the ten play collection titled, ‘The Pittsburgh Cycle’, which received two Pulitzer Prizes for Drama. Many theatres around the world have produced these ten plays, including the Denver Center for the Performing Arts and the Pittsburgh Playwrights Theatre Company.
He was born as Frederick August Kittel, Jr. in the Hill District of Pittsburgh, Pennsylvania to Frederick August Kittel, Sr., a pastry chef and baker and Daisy Wilson, a cleaning woman of African descent.
His childhood was rather humble. He was raised by his mother in a two-room apartment located above a grocery store, while his father was mostly not present.
In the 1950’s, his mother divorced his father and remarried and the two relocated to a white inhabited neighbourhood, where they faced much hostility and racial discrimination.
Wilson attended the Central Catholic High School in Pennsylvania, where he was the only African-American student and was eventually thrown out. He later enrolled at the Connelley Vocational High School.
By the time he turned 16, he dropped out of school and began to take up many odd jobs. He self-educated himself by reading extensively at the Carnegie Library of Pittsburgh.
In 1969, he married Brenda Burton, who was a Muslim. He also converted to the faith and the couple had a daughter together. Unfortunately the two divorced in 1972.
In 1981, he married social worker, Judy Oliver. They divorced in the year 1990.
In 1994, he married costume designer, Constanza Romero with whom he had a daughter.
He died at the age of 60, due to liver cancer at Swedish Medical Center in Seattle.
While his home has been turned into a historic landmark, several streets and theatres have been renamed post his death to honor this able and gifted playwright.
In 1985, he was the recipient of the New York Drama Critics Circle Award for the category of ‘Best Play’ for ‘Ma Rainey's Black Bottom’.
In 1987, he was the recipient of the Pulitzer Prize for his play, ‘Fences’.
In 1990, he received the Pulitzer Prize for Drama for his play, ‘The Piano Lesson’.