|Full name||: John Cage|
|Alias||: John Cage|
|Address||: Los Angeles|
|Animals||: The Rat|
|Father||: John Milton Cage, Sr.|
|Mother||: Lucretia "Crete" Harvey|
|Wife||: Xenia Andreyevna Kashevaroff (m. 1935–1945)|
|Activists||: Composers , Writers|
John Cage was the most significant and controversial American innovative composer of the 20th century. He is known as the father of indeterminism who was influenced by Zen-Buddhism and Indian philosophy to use aleatoric (chance-controlled) music in his compositions. He rejected the philosophies of the past like vertical sensitivity, logical consequence and pitch. John created a revolutionary alternative to the criticizing customs which were set up thousands of years ago. So, it can be said that John Cage did to music what Karl Marx did to economics and sociology. In other words, it can be said that he changed the scenario of classical composition and put forward that the main act of musical performances was not just making music but listening. John Cage died a few weeks before his 80th birthday and the celebration was arranged in Frankfurt by Walter Zimmermann, the composer and Stefan Schaedler, the musicologist. Nevertheless, the event went on as per plan, comprising a show of the eConcert for piano and orchestraf by David Tudor and Ensemble Modern. Go through the biography of John Cage to know more about him.
In 1950, he was associated with the Wesleyan University and worked together with the staffs of its Music Department from 1950s till his death. John was selected as a Fellow in the faculty of the Center for Advanced Studies in the Liberal Arts and Sciences, at the University in 1960. The next year Wesleyan University Press issued ‘Silence’ in October, which was a set of John’s lectures and writings on a wide range of topics comprising the well-known ‘Lecture on Nothing’. ‘Silence’ was his very first book and after this he published five more books. In the early 1960s he started his lifelong association with C.F. Peters Corporation. The president of the corporation, Walter Hinrichsen, offered him a contract and initiated the publication of a catalogue of John’s works, which came out in 1962. With the publication of his works, John enjoyed considerable fame and received many commissions.
After the ‘Atlas Eclipticalis’ was premiered in 1961, he moved to music from composition. He wrote the score of ‘0’00’ and the score of ‘Variations III’ in 1962, which included instructions for the performers but it had no recommendations for musical instruments, sounds or music. His works of 1960s were generally described as performance art, an art form set up by John and his pupils in late the 1950s. In 1967, ‘A Year from Monday’ was first issued by the Wesleyan University Press. Three years later, he came up with the most important work called the ‘Cheap Limitation for Piano.’ Apart from music, he kept on writing books of poetry and prose. ‘M: Writings ’67–’72’, was first issued by Wesleyan University Press in 1973. In 1975, he published ‘Child of Tree’. In 1979, ‘Empty Words’ was published by the Wesleyan University Press. In 1987, he finished the work known as ‘Two’, which was for flute and piano presented to Roberto Fabbriciani and Carlo Neri, the performers.
In between 1934-35, when he was studying with Schoenberg, he was also working at his mother’s arts and crafts shop and there one day he met Xenia Andreyevna Kashevaroff, an artist. She was the daughter of a Russian priest and was born in Alaska. Her works included sculpture, fine bookbinding and collage. However, John was into a relationship with Don Sample but when he met Xenia, he couldn’t stop himself from falling in love with her. Thus, on 7 June 1935, he married Xenia Andreyevna Kashevaroff in the desert at Yuma, Arizona. The couple first stayed in Pacific Palisades with John’s parents but later shifted to Hollywood. His marriage began to crumble when he joined Cornish College as a composer. There he met many people, some of whom who became his lifelong friends. One of them was the dancer Merce Cunningham with whom he became passionately involved, so, he divorced his wife in 1945. Till the end of John’s life, Cunningham remained his partner.
John Cage was suffering from many serious diseases including arthritis, sciatica and arteriosclerosis. He suffered a stroke and after that one of his legs stopped functioning and one arm broke in 1985. During this time he was on a macrobiotic diet. On 11 August 1992, when he was making evening tea for himself and Cunningham, he suffered another stroke. He was taken to a nearby hospital and there in the morning of 12th August, he died. John Cage’s body was incinerated and the ashes were dispersed in the Ramapo Mountains, near the Stony Point, New York, as was his last wish. This was the same place where his parents’ ashes were dispersed.
John Cage was born on 5 September 1912 in Los Angeles, California. His father John Milton Cage, Sr. was an inventor by profession, who had put forward an explanation of the cosmos known as the “Electrostatic Field Theory”. His mother was Lucretia Harvey was a journalist who worked occasionally for the Los Angeles Times. As a child, he was introduced to music by some of his relatives and various private piano teachers in his home county. John’s aunt Phoebe Harvey familiarized him to piano music of the 19th century and when he was in his fourth grade he received his first piano teachings.
In 1928, he completed his graduation from the Los Angeles High School. By this time he had already decided that he wanted to be a writer. After graduation, he enrolled at the Pamona College, Claremont and studied there till 1930 and then dropped out, believing that college education is not important to someone who wanted to be a writer. He believed that travelling would be far more beneficial, so, he went on a tour of Europe for about 18 months, travelling to places like France, Spain and Germany but most importantly to Majorca where he started composing. During his travels, he also experimented with different forms of art. First he dabbled in Greek and Gothic architecture and when he found it not interesting enough, he tried his hand at poetry, painting and music. He also got himself involved in theater. He heard the music of contemporary composers like Igor Stravinsky and Paul Hindemith for the very first time in Europe and later came to know the music of Johann Sebastian Bach.
In 1931, he returned to the U.S. and went to Santa Monica, California, where he earned his livelihood by delivering small and private lectures on contemporary art. During this time, he came to know many famous personalities of the Southern California art world like Richard Buhlig, a pianist, who became his first teacher and Galka Scheyer, the arts patron. In 1933, John determined to focus on music rather than on painting. This was because as he later said, “The people who heard my music had better things to say about it than the people who looked at my paintings had to say about my paintings.” In the same year, he sent his few compositions to Henry Cowell and, in reply, Cowell suggested John take lessons of from Arnold Schoenberg. He also said that before going to Arnold he should learn from Adolph Weiss, a former student of Arnold. So, after following the suggestions from Cowell, he went to New York and started learning from Adolph Weiss as well as Henry Cowell at The New School. He supported himself by doing a job of washing walls at the Brooklyn YWCA. After some months, when he was sufficiently confident of his composition he approached Arnold Schoenberg and went to study under him, first at the University of Southern California (USC) and then at the University of California, Los Angeles (UCLA). His father died in 1964 and his mother in 1969 and John dispersed their ashes in the Ramapo Mountains.
Some of his most popular work includes ‘4′33”’ (1952), a piece in which the performers remain silent on stage for that time period; ‘Imaginary Landscape No. 4’ (1951), for 12 casually tuned radios, 24 performers and conductor; the ‘Sonatas and Interludes’ (1946-48), for prepared piano; ‘Fontana Mix’(1958), a piece which is based on a series of programmed transparent cards that when overlaid, gave a graph for the random pick up of electronic sounds; ‘Cheap Imitation’ (1969), an imprint of the music of Erik Satie and ‘Roaratorio’ (1979), an electronic composition using thousands of words found in the novel ‘Finnegans Wake’ written by James Joyce. John also published many books like ‘Silence’ (1961) and ‘M: Writings ’67–’72 (1973).